09.14.08
The almighty Tronic has updated their great portfolio with some new work. They are a guarantee. Always interesting and original work.
The almighty Tronic has updated their great portfolio with some new work. They are a guarantee. Always interesting and original work.
Marcello Buselli has hit the ground running debuting his portfolio which is full of great work for motion.
Dreamers Ink Aesthetics is the art direction, design and typography of Mitchell Paone, an artist based out of Brooklyn, NY. I’ve been noticing a hell of a lot of fantastic designers coming out of Brooklyn lately. Dreamers Ink Aesthetics is rolling with the best of them, for sure.
Wow, the latest motion treatments for Pioneer from Superfad are stunning.
Wow. Mind-bendingly awesome work, primarily for motion, by the incredibly talented Jon Saunders.
Run down the list, he has created for them all, from PSYOP and Stardust to Shilo.
Smith and Nephew
A spot by PSYOP
Directed by Eben Mears and Mate Steinforth
3D by Florian Witzel (Lead), Alvin Bae, Jan Bitzer, Jae Ham, Miguel Salek, Jeff Dates, Rich Magan,
Jacob Slutsky, Jason Vega, Goo-Shun Wang, Lee Wolland, Andreas Gebhardt (R&D)
After Effects by Doug Purver, Jason Conradt, Elliot Blanchard
Produced by Michael Neithardt, Tarun Cahraipotra (assistant) Lucia Grillo (EP)
Designed by Mate Steinforth
Storyboard by Ben Chan
Music by Prison Diet
via Ogilvy, New York with Jonahtan Isaacs (CD), Tracy McFarlane (CD), Lisa Savage (CD), Melanie Baublis (EP), Chris Beeby, Keith Higbee
Knife Party has updated with a full on portfolio of exceptional motion graphics work.
Christopher Hewitt, formerly known as Dstrukt has posted a new website. His work is top shelf, always.
There is some gorgeous motion work in the freshly updated reel of the super talented Lo Iacono. All of his work is really great and it’s well worth a browse if you are in the market for some inspiration in the motion graphics department.
You can see a commercial he animated for Freixenet Cordon Negro above.
There is an all new Motionographer site online. If you have never visited, do yourself a favor and check it out. It is hands down the best blog about motion graphics on the internet and it just keeps getting better.
Nervo sent me an email about their recent work for Zune. I know I have written about Nervo in the past but if you are unfamiliar with their brilliant work, now is a good time to get familiar.
Here is a what Nervo had to say about the project:
“This set of 6 animations is a small branding package we have created for Zune Creative. The animated set will essentially work as interstitials, which the brand will use at events and other situations where other videos need to be accompanied by the Zune brand.
The brief for this project was quite open, which led us to explore different animation techniques and a more subjective concept. The Zune Creative team granted us a lot of freedom from the start, including creating the music and sound effects. Our approach was to connect various abstract associations to music: from relating it with the pleasure of eating candy (Zune Sweets), to the idea of users communicating and sharing music (Zune Hair), to the idea of tranferring music from one place into another, sharing (Zune Boxes) all the way to the idea of change, adaptation and collage of tastes, personalities, preferences / customization (Zune Liquid & Cages).”
After their first well received collaboration with REM (Hollow Man), Crush follows up with “Man Sized Wreath.” This piece deals with an anonymous man’s daily routine and shows us how lost and alienated we can become in our visually saturated and over-stimulating environment.
“[As Hollow Man] was intended as a statement about isolation, the fear of losing who we are. This film is a more pointed statement about the state of the world politically, and the idea that we are all hypnotized by so much meaningless diversion we don’t focus on things that matter.”
Via Motionographer.
Wow, wildly imaginative work for motion and illustration by crazy color scheme loving Brazilian designer Vinicius Costa.
“Radiohead just released a new video for its song “House of Cards” from the album “In Rainbows”.
No cameras or lights were used. Instead two technologies were used to capture 3D images: Geometric Informatics and Velodyne LIDAR. Geometric Informatics scanning systems produce structured light to capture 3D images at close proximity, while a Velodyne Lidar system that uses multiple lasers is used to capture large environments such as landscapes. In this video, 64 lasers rotating and shooting in a 360 degree radius 900 times per minute produced all the exterior scenes.
Watch the making-of video to learn about how the video was made and the various technologies that were used to capture and render 3D data.”
In a word, amazing.
Brilliant work for motion and video at Nexus Productions. I apologize for never having written about them before. Their work is top notch. Some of the best in the industry.
“After JUSTICE “D.A.N.C.E” and many other stunning videos, please enjoy the First FLAIRS animated cartoon by JONAS & FRANCOIS…. Handmade, 3000 paper sheets, a simple printer-computer & scanner trio, 7 black ink pencils, sometimes drawn in a Tokyo Hotel room, a Paris studio or on a Madonna video shoot in London, it’s black & white groove & simplicity suits the track like the best wedding possible….”
You can see the homepage for this here at Virb. Awesome.
A friend emailed this to me this morning and I was really impressed. It’s an amazing little piece of animation about a person I love. I can’t really rewrite the description any better than it is already written so here it is (enjoy): “In 1969, a 14-year-old Beatle fanatic named Jerry Levitan, armed with a reel-to-reel tape deck, snuck into John Lennon’s hotel room in Toronto and convinced John to do an interview about peace. 38 years later, Jerry has produced a film about it. Using the original interview recording as the soundtrack, director Josh Raskin has woven a visual narrative which tenderly romances Lennon’s every word in a cascading flood of multipronged animation. Raskin marries the terrifyingly genius pen work of James Braithwaite with masterful digital illustration by Alex Kurina, resulting in a spell-binding vessel for Lennon’s boundless wit, and timeless message.”
Thanks for the link Allen.